In lieu of an abstract, here is a brief excerpt of the content: According to Hazel V.
Yale University Press, Nella Larsen, Passing, ed.
McDowell ; New Brunswick: Rutgers University Press, All subsequent page numbers refer to this edition. Not Safe at all. Garber, Matlock and Walkowitz New York: A Review of Contemporary Criticism In fact Peter J.
Rabinowitz writes that he uses Passing as a pedagogical tool that is helpful in exposing to students how "carelessly they read": Davis argues that Irene "elevates" Clare to the level of "icon": Nella Larsen, Novelist of the Harlem Renaissance: Louisiana State University Press, Although Martha J Cutter and Davis take very different perspectives both tend to equate the spectacle with passivity.
Martha J Cutter, "Sliding Significations: Duke University Press, My use of the female pronoun points to both Clare and Irene as passers. See "That Unreasonable Restless Feeling: Helen Charles also makes this observation in her discussion of the relation between passing and forms of visibility.
Writings on Black Women, ed. Routledge, For Mary Helen Washington, passing is a metaphor of possibility for black women but it is also a word that "connotes death. Narratives of Black Women Anchor Press, Doubleday Books, Indiana University Press, The Homosexual Subtexts of Nella Larsen’s Passing.
The Homosexual Subtexts of Nella Larsen’s Passing by David L. Blackmore. African American Review, Vol. 26, The article listed below illustrates a review by W. B. Seabrook of the Nella Larsen novel “Passing”.
In this review there is a contradiction of complement and. Apr 14, · Unlike marching, rally, and other extreme methods, Larsen uses the literature form, the relatively mild pattern to elaborate on this important issue.
Work Cited: Larsen, Nella. Passing. Blacksburg, VA: Wilder Publications, Print. Blackmer, Corinne E.. “The Veils of the Law: Race and Sexuality in Nella Larsen’s Passing”. Although Nella Larsen Reconsidered Thaggert identifies intriguing parallels between the Rhinelander case and Passing, her emphasis on this case renders the novel an exploration of the hypervisibility of the “black” woman’s body.
Also included are Larsen’s statements on the novel and on passing, as well as a generous selection of her letters and her central writings on “The Tragic Mulatto(a)” in American literature.
“That Unreasonable Restless Feeling”: The Homosexual Subtexts of Nella Larsen’s Passing; Examination of data on the registrations of.
Passing is a conventionally structured novel in which the tale is told from the controlled omniscient perspective. It is a story whose tension emanates from the three main characters and which. A Transnational Novel in Disguise: The Influence of Brazil in Nella Larsen’s Passing While Nella Larsen’s first novel, Quicksand, had long been the more widely read of her two novels, in part because of its examination of race from a .